[charlene]

post #2:
When asked of his music inspirations, Olsson first mentions the Beatles. Many of his references to his playing style, or even his personal disposition -- unassuming, like Ringo -- are geared toward the Fab Four.

“I would say that I’m not a technical drummer at all. I can’t read music. The way I love to play is just putting the headphones on and listening to the Beatles,” Olsson says. “I idolized Ringo. I modeled my playing after him. I loved his work on songs like ‘I Am the Walrus,’ and from him I learned that what you leave out makes it work.”

Olsson favors ballads, quickly listing “Someone Saved My Life Tonight,” “Goodbye Yellow Brick Road,” “Circle of Life” and “Empty Garden,” the tribute to John Lennon just added to the Colosseum set, as his favorites.

“When you play the ballads, you can feel the warmth from the crowd,” he says. “We play the same songs every night, the exact same show, but the feeling from the crowd is always special, you can really feel that each night.”

Asked to name another drummer he counts as an influence, Olsson’s answer raises an eyebrow: Stevie Wonder.

“Believe it or not, yeah, the way he plays drums is amazing,” Olsson says, grinning. “I worked with him on the ‘Songs in the Key of Life’ album because I was doing a solo record in the same studio complex (the Record Plant in Hollywood). He heard my drums that Slingerland (Drum Company) had especially built for me and said, ‘Can I borrow your drums?’ So I called the company and asked if it would be possible to make a drum kit exactly the same as mine for Stevie Wonder. They said, ‘Stevie Wonder? What?’ but stopped the production line and had them sent within a week.”

Olsson stops at that story and says, “Funny, isn’t it? Who you meet?”

But Olsson is not terribly fond of telling Elton stories. Years ago, he grew tired of the questions about the iconic, and occasionally temperamental, superstar. “Everyone wanted to know, ‘How many pairs of glasses does he have?’ Or, ‘How high are his shoes?’ because he used to wear these knee-high boots. It was just so boring.”

But he does speak to John’s brilliance. “There’s no two ways about it. I mean, he’s a genius. He’s so kind to people, even though he’ll throw what we call ‘wobblers’ now and then.”

John threw a "wobbler" during a show at the Colosseum in May, tossing a stool and water bottles across the stage and complaining generally about his management team.

“He’ll get mad if the flowers are dead in the dressing room -- or wilting. There is a certain type of flower he hates, I can’t remember which,” Olsson says. “But he’s such a decent person. Since Zachary came along, the baby, it’s made his life a lot calmer.”

The son of John and his husband, David Furnish, Zachary turns 2 on Christmas. He was born to a surrogate mother and also is remarkable because his godmother is Lady Gaga.

“Elton sent me a video of Zachary in France when they were on holiday, in August,” Olsson says. “He’s eating lunch, and you can hear David in the background, ‘What’s that you’re eating, Zachary?’ And he says, ‘Petit pois! Peas!’ So he’s now bilingual! One of the cutest kids I’ve ever seen.”

Olsson likens John’s band to a family. Longtime members back John onstage at the Colosseum. The graybeards include guitarist Davey Johnston, keyboardist Kim Bullard and percussionist Ray Cooper (whom is a flurry of activity onstage behind Olsson). Percussionist John Mahon and bassist Matt Bissonette fill out the band. Bissonette is stepping in for the late Bob Birch, who died at age 56 of an apparent self-inflicted gunshot wound in August.

Birch had for years been suffering from pain in his legs and back from being hit by a truck in Montreal in 1995, an accident that nearly killed him. In the shows leading up to his death, Birch was in such pain, he played while seated on a stool.

Olsson says that when it came time to reunite the remaining band members, John pulled the musicians and crew together and said, “We all loved Bob, and we will only think happy, good thoughts about him. There will be no crying, no miserable faces, and we will always have him in our hearts.”

“Of course, by the end of it, everybody was crying,” Olsson says.

He is similarly moved when recalling the “electric” night of Thanksgiving 1974, when Lennon joined Elton and the band for three songs at Madison Square Garden. This was to pay off a bet Lennon had made with John that he would join John for that show if “Whatever Gets You Through the Night” reached No. 1. It did, and Olsson counts the moment as one of the highlights of his career.

“You would not have believed the energy of that night,” he says.

During the show at Caesars, as grainy footage of Lennon charging onstage with John plays on the Colosseum LED screen, Olsson starts the song by stepping into his bass drums with two quick beats.

“Thump-thump” is the sound, and the descriptive drummer is keeping perfect time with every heartbeat in the room.

Follow John Katsilometes on Twitter at Twitter.com/JohnnyKats. Also, follow “Kats With the Dish” at Twitter.com/KatsWiththeDish.